Dor Movie Malayalam Download
Dor Movie Malayalam - A Review
Dor is a 2006 Hindi drama film directed by Nagesh Kukunoor and starring Ayesha Takia, Gul Panag and Shreyas Talpade in the lead roles. The film is an official adaptation of the Malayalam film Perumazhakkalam, which was released in 2004 and won the National Film Award for Best Feature Film on National Integration. Dor tells the story of two women from different backgrounds and regions who are connected by a tragic incident that involves their husbands. The film explores the themes of friendship, forgiveness, women's rights and cultural differences.
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Plot Summary
Zeenat (Gul Panag) is a young Muslim woman who lives in a remote village in Himachal Pradesh. She marries Amir (Rushad Rana), her childhood sweetheart, who goes to Saudi Arabia for work. Meera (Ayesha Takia) is a simple Hindu woman who lives in a traditional Rajasthani family in Jodhpur. She marries Shankar (Aniruddha Jatkar), who also goes to Saudi Arabia for work. Both women are happy in their marriages and keep in touch with their husbands through phone calls and letters.
One day, Zeenat receives a call from the Indian embassy in Saudi Arabia, informing her that Amir has been arrested for killing his roommate, who happens to be Shankar. Amir is sentenced to death by the Saudi law, unless the wife of the deceased forgives him. Zeenat decides to travel to Jodhpur to meet Meera and plead for her husband's life. On her way, she meets Behroopiya (Shreyas Talpade), a street performer who disguises himself as various characters. He offers to help Zeenat reach Meera, but also tries to con her out of her money.
Meera, meanwhile, is devastated by the news of Shankar's death. She is forced to follow the harsh customs of widowhood by her conservative father-in-law Randhir Singh (Girish Karnad). She has to wear dark clothes, remove her jewelry, stay indoors and avoid any happiness. She also faces the threat of being sold off to a rich contractor Chopra (Nagesh Kukunoor) by Randhir Singh, who wants to get rid of her and pay off his debts.
Zeenat arrives at Meera's house and introduces herself as a friend of Shankar. She tries to befriend Meera and understand her situation. She also learns about the tradition of Mafi-Naama, a letter of forgiveness that can save Amir's life. However, she does not reveal her true identity or motive to Meera, fearing that she might lose her sympathy. She hopes that Meera will eventually forgive Amir out of her own free will.
Meera and Zeenat develop a bond of friendship and empathy, as they share their stories and sorrows. Zeenat helps Meera break free from some of the oppressive rules imposed on her by Randhir Singh. She also encourages her to pursue her hobbies of painting and kite flying. Meera finds a new hope and happiness in Zeenat's company. She also begins to question the meaning of justice and forgiveness.
One day, Behroopiya reveals Zeenat's true identity and motive to Meera, hoping to get some money from her. Meera is shocked and hurt by Zeenat's deception. She feels betrayed and angry at Zeenat for trying to save the man who killed her husband. She refuses to forgive Amir and asks Zeenat to leave her house immediately.
Zeenat is heartbroken and desperate. She begs Meera to reconsider her decision, but Meera is adamant. Zeenat decides to leave Jodhpur and return to Himachal Pradesh. On her way back, she meets Behroopiya again, who apologizes for his mistake and gives her some money that he had stolen from Chopra. He also tells her that Meera is in danger, as Chopra has come to take her away by force.
Zeenat rushes back to Meera's house and finds out that Chopra has kidnapped Meera with the help of Randhir Singh. She follows them to a deserted place, where Chopra tries to rape Meera. Zeenat intervenes and fights with Chopra and his men. She manages to rescue Meera and escape with her on a truck.
Meera and Zeenat reach a railway station, where they board a train to Delhi. Zeenat tells Meera that she is going to the airport to catch a flight to Saudi Arabia, where she will try to meet Amir before his execution. She also gives Meera the Mafi-Naama and asks her to sign it if she ever feels like forgiving Amir. She thanks Meera for her friendship and bids her farewell.
Meera is moved by Zeenat's courage and sacrifice. She realizes that Zeenat loves Amir as much as she loved Shankar. She also understands that forgiving Amir will not bring back Shankar, but it will save another life and another love. She decides to sign the Mafi-Naama and give it to Zeenat. She runs after Zeenat and hands over the letter to her, just as she is about to board the flight. Zeenat is overjoyed and grateful. She hugs Meera and promises to keep in touch with her. The two women part ways with a smile, knowing that they have changed each other's lives for the better.
Critical Reception
Dor received critical acclaim from both critics and audiences upon its release. The film was praised for its sensitive portrayal of women's issues, its realistic depiction of rural India, its powerful performances by the lead actors, and its soulful music by Salim-Sulaiman. The film was also appreciated for its positive message of peace and harmony between different religions and cultures.
The film won several awards and nominations at various film festivals and ceremonies, including the National Film Award for Best Screenplay, the Filmfare Award for Best Story, the Star Screen Award for Best Film, and the Zee Cine Award for Best Actress (Critics) for Gul Panag.
Conclusion
Dor is a film that touches the heart and soul of the viewers with its simple yet profound story of two women who find strength and solace in each other's friendship. The film is a tribute to the spirit of womanhood and humanity, and a celebration of love and life.